Meris Angioletti’s Stanzas: a customized approach for multi-channel audio mix

Meris Angioletti, an emerging name in the Contemporary Art scene, has recently presented her installation “Stanzas” at the Biennale di Venezia 2011 Exhibit. The goal for this sound-art installation was to obtain a unique sound texture for each of three Worlds in the radio drama: The dream state world, The real world, The filmic world, and fully … More Meris Angioletti’s Stanzas: a customized approach for multi-channel audio mix

Designing the sound of “The Wait of Gravity”

“Amphibious, primal, fluid. Grounded in architectural space while gravity shifts and perhaps time is optional, the solo human form pushes and pulls her way through a womb-like arena.” The Wait of Gravity is a Dance for the Camera piece directed by Renata Sheppard. Originally shot in 2007 at the University Of Illinois, sound editing sessions … More Designing the sound of “The Wait of Gravity”

Dance For The Camera Workshop: The Movement of Editing

Tomorrow, Wednesday 3rd August at 9 pm GMT, Graham Taylor – a London based video editor -will discuss “The Movement of Editing” at the Dance for The Camera Workshop. If you want to join our Skype conversation please email me: paolo.armao@gmail.com Graham Taylor grhmtylr@hotmail.com A film editor mainly working on documentaries for British broadcasters including … More Dance For The Camera Workshop: The Movement of Editing

Designing Sound for Dance-Film: Workshop in Cape Charles

Dance for the Camera is a unique time-based art form that crosses disciplinary boundaries; it is movement in time and space envisioned through the frame, a dynamic composition that is equally relevant to dance, visual arts, film, theatre, architecture, and design. The two weeks Dance for the Camera workshop that will take place in Cape … More Designing Sound for Dance-Film: Workshop in Cape Charles

fraMESHift

Phase 1 – Research and Prototyping (2011) Phase 2 – Interactive Dance Performance (2012)